#TENNIS COURT FLUME REMIX SKIN#

#TENNIS COURT FLUME REMIX SKIN#

That inclination to push himself has been handsomely rewarded.Ěnnouncing announcing headline shows to celebrate the release of Skin in May,ğlume sold out allē00,000 tickets of his world headline tour, including more than 80,000 headline tickets inĚustralia alone. I thought, this is how the album’s going to sound. “I hadn’t heard anything quite like that. “I thought, cool this sounds like it’s from the future’” says Streten. Then, stuck on what would become the clattering standout, ‘Numb and GettingĜolder’, he crushed together three completely different songs. I needed to do something bold.”Īfter slowly beginning work on Skin as far back as lateĒ013, Streten’s breakthrough came in mid-2015 when he shifted to LA for three months of solid work. Recorded in hotel rooms, aeroplanes, trains, taxis, and tour vans, and in locations as far-flung as LAX airport, a shack on the west coast of Mexico, a log cabin in rural Tasmania, a bus rattling towards Vegas, as well as studios in LA, New York, and his hometown of Sydney, Skin is “a grand expedition in trying to capture the biggest, most epic, powerful moments,” says the producer. “That definitely influenced the new stuff a lot.” “I wanted to keep the next album at a certain high energy,” says Streten of the writing process behind Skin.

“It used to be just writing for myself but now there is an audience,” says Streten.Ě sizeable one.ěeyond millions of listeners and his own sold-out shows,ğlume’s live show has become a major draw at international festivals, includingĜoachella, Reading, Leeds, Pukkelpop,ěonnaroo, and drawingĔ0,000 to his slot at Rock en Seine in Paris. With good reason - its creation mirrors the complex rush of sensations that came with sudden success. Released in MayĒ016, the musician’s wildly eclectic follow-up is a meticulously crafted, vivid universe of big emotions woven into a densely cinematic whole. “Shock” plays a significant role onğlume’s often-outrageous second album, Skin. “I was just some quiet kid in high-school and all of a sudden I got dropped into the deep end. The electronic production pairs perfectly with the original beat of the song, allowing for the lyrics to still shine.“It was a crazy journey,” says Flume - aka 25-year old Australian producer Harley Streten - of hisĒ012 self-titled debut’s international success. This track illustrates a harmonious collision, as Chet Faker‘s original is blended so well with the remix that it sounds as though it has always existed in this form. While this version doesn’t depart too much from the original, the slight reworking of beats and toying with tempo helped Ta-Ku‘s track sail on more smoothly and bring it to the next level. This remix widely departs from the pain and sorrow felt on Sam Smith‘s original, as the playful production highlights certain lines by repeating them on a loop as the track builds in intensity. Flume’s remix of this track helped it gain widespread acclaim while simultaneously putting his own name on the map. When Flume tackled Disclosure‘s “You & Me” in 2013, it became a career-launching hit - for both ends. The result is a version that ups the sass and transforms the song into a kiss-off. Friday Dance Music Guide: The Week's Best New Tracks From Jamie xx, Camelphat Logic1000 & Moreįlume elevates Lorde‘s originally mellow track by incorporating intricately layered beats into the mix.

Tennis court flume remix